#20: An Interview with Cheryl Frances-Hoad

Today I’m with the composer Cheryl Frances-Hoad. We’re discussing her career and approaches to composition, with a particular focus on her songs Magic Lantern Tales, and her Piano Concerto Between the Skies, the River and the Hills.

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© Brant Tilds

Admired for her originality, fluency and professionalism, Cheryl Frances-Hoad has been composing to commission since she was fifteen. Classical tradition (she trained as a cellist and pianist at the Menuhin School before going on to Cambridge and King’s College, London) along with diverse contemporary inspirations including literature, painting and dance, have contributed to a creative presence provocatively her own. “Intricate in argument, sometimes impassioned, sometimes mercurial, always compelling in its authority” (Robin Holloway, The Spectator), her output – widely premiered, broadcast and commercially recorded, reaching audiences from the Proms to outreach workshops – addresses all genres from opera, ballet and concerto to song, chamber and solo music.

Biography © Ates Orga

To find out more about Cheryl and her music, then please visit her website.

The theme tune is ‘Dusty Rag’ by May Aufderheide. Performed by Joanna Goldstein for Centaur. This podcast is licensed by PRS for Music (www.prsformusic.com).

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