In this episode I’m talking to Gabriella Di Laccio, founder and curator of the DONNE: Women in Music project. We discuss her career as a soprano, and how she came to set up a project championing music by women and supporting gender equality on concert programmes.Read More #10: An Interview with Gabriella Di Laccio
The BBC Proms will be performing Lamia by Dorothy Howell this year, 100 years after Henry Wood gave the piece its world premiere at the Proms. In this podcast we explore Howell’s life, Lamia’s reception, and a little bit of Proms history (with a brief cameo by Julie Andrews).Read More #9: Short(ish) Notes on Dorothy Howell & Lamia
In this episode I’m with Samantha Ege, pianist and scholar. We’re discussing her research on the composer Florence Price, and writing the histories of women composers.
All the music on this podcast is performed by Samantha Ege, from her album Four Women. The pieces included are Vítězslava Kaprálová Sonata Appassionata (1st movement), Florence Price Piano Sonata in E Minor (1st movement), and Margaret Bonds Troubled Water. The album is available to buy from Wave Theory Records.Read More #8: An Interview with Samantha Ege
We’re reviewing the opera Jack the Ripper: The Women of Whitechapel by Iain Bell (composer) and Emma Jenkins (librettist). The opera sets out to tell the stories of the five women murdered by Jack the Ripper, in a bid to get away from what Jenkins describes as ‘patriarchal’ opera narratives told ‘from a male perspective’. We’re looking at how successful we think the opera was at managing this, and the problems and possibilities of writing ‘feminist’ opera.Read More #7: Short(ish) notes on Jack the Ripper: The Women of Whitechapel
In this episode I’m with Professor Alexandra Wilson from Oxford Brookes University. We’re talking about her new book Opera in the Jazz Age, exploring opera’s “elitism” label and how opera’s depicted in film.
Alexandra Wilson is Professor of Music and Cultural History at Oxford Brookes University and the current recipient of a Leverhulme Major Research Fellowship. She is the author of three books: The Puccini Problem: Opera, Nationalism, and Modernity (Cambridge University Press, 2007), Opera: A Beginner’s Guide (Oneworld, 2010), and Opera in the Jazz Age: Cultural Politics in 1920s Britain (Oxford University Press, 2019).
Professor Wilson has a high profile as a public musicologist. She has presented numerous broadcasts for BBC Radio 3 (including Opera on 3, Building a Library and Proms concerts), and was recently called ‘a real ambassador for opera’ on Radio 4’s PM programme. She regularly writes programme essays, gives talks, and/or contributes to podcasts for opera companies including the Royal Opera, Opera North, Welsh National Opera, ENO, Wexford Festival Opera and English Touring Opera. She has written for Opera magazine and BBC Music Magazine.Read More #6: An Interview with Alexandra Wilson
In today’s Short Notes, we’re heading to Sweden. Leah and Simon are investigating the life and music of Amanda Maier. She was a violinist and composer, and the first woman to graduate as a Director of Music from the Swedish Royal Academy.Read More #5: Short(ish) Notes on Amanda Maier
Tess is an award winning Bristol, UK-based composer for film, television and video games. We’re chatting about how video game music’s written, how to score a film using the sound of a dog eating biscuits (?!), and Tess gives her tips and tricks for composing video game music.Read More #4: An Interview with Tess Tyler
If you were wandering around Queen Elizabeth I’s England, what kind of music might you have heard? In this episode, Leah and Simon take a trip through music history to find out. We’ll be visiting the courts, private homes, and taking on some Elizabethan poetry…Read More #3: Short(ish) Notes on Queen Elizabeth I
Today I’m with conductor Simone Menezes, talking about her career from starting out playing the flute to founding the Camerata Latino Americana.Read More #2: An Interview with Simone Menezes
How did you stage an avalanche in a nineteenth century theatre? This week I’m with Professor Sarah Hibberd from the University of Bristol, to explore this question and more as we dive into the history of theatrical melodrama. We’re looking at how music would have been used in melodrama, and how it shaped the drama unfolding on stage.Read More #1: An Interview with Sarah Hibberd