#8: An Interview with Samantha Ege

In this episode I’m with Samantha Ege, pianist and scholar. We’re discussing her research on the composer Florence Price, and writing the histories of women composers.

All the music on this podcast is performed by Samantha Ege, from her album Four Women. The pieces included are Vítězslava Kaprálová Sonata Appassionata (1st movement), Florence Price Piano Sonata in E Minor (1st movement), and Margaret Bonds Troubled Water. The album is available to buy from Wave Theory Records.

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#7: Short(ish) notes on Jack the Ripper: The Women of Whitechapel

We’re reviewing the opera Jack the Ripper: The Women of Whitechapel by Iain Bell (composer) and Emma Jenkins (librettist). The opera sets out to tell the stories of the five women murdered by Jack the Ripper, in a bid to get away from what Jenkins describes as ‘patriarchal’ opera narratives told ‘from a male perspective’. We’re looking at how successful we think the opera was at managing this, and the problems and possibilities of writing ‘feminist’ opera.

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#6: An Interview with Alexandra Wilson

In this episode I’m with Professor Alexandra Wilson from Oxford Brookes University. We’re talking about her new book Opera in the Jazz Age, exploring opera’s “elitism” label and how opera’s depicted in film.

Alexandra Wilson is Professor of Music and Cultural History at Oxford Brookes University and the current recipient of a Leverhulme Major Research Fellowship. She is the author of three books: The Puccini Problem: Opera, Nationalism, and Modernity (Cambridge University Press, 2007), Opera: A Beginner’s Guide (Oneworld, 2010), and Opera in the Jazz Age: Cultural Politics in 1920s Britain (Oxford University Press, 2019).

Professor Wilson has a high profile as a public musicologist. She has presented numerous broadcasts for BBC Radio 3 (including Opera on 3, Building a Library and Proms concerts), and was recently called ‘a real ambassador for opera’ on Radio 4’s PM programme. She regularly writes programme essays, gives talks, and/or contributes to podcasts for opera companies including the Royal Opera, Opera North, Welsh National Opera, ENO, Wexford Festival Opera and English Touring Opera. She has written for Opera magazine and BBC Music Magazine.  

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#1: An Interview with Sarah Hibberd

How did you stage an avalanche in a nineteenth century theatre? This week I’m with Professor Sarah Hibberd from the University of Bristol, to explore this question and more as we dive into the history of theatrical melodrama. We’re looking at how music would have been used in melodrama, and how it shaped the drama unfolding on stage.

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